Think of the Good Times
Think of the Good Times is a short film where Jade, a teenage girl, finds herself stuck in a household of arguments. So, she runs away to find where she belongs, but it’s not easy. She keeps having flashbacks of the good times with her parents and realizes how much she misses them. She then decides to run back to her family with a new mindset that even when there is trouble in the household things will get better and life will move on!
- Producer
Taylor Walker
- Writer
Taylor Walker
- Director
Gavin Thayn
- Cinematographer
Gavin Thayn
- Editor
Gavin Thayn
Taylor Walker
- Actors
Taylee Whitlock James Thayn Charity Thayn
Polished Vision
Right out the gate, this one knows exactly what it’s doing. The confidence is there in the very first frame.The editing’s sharp and doesn’t waste a second. Every shot has intention, and that level of precision matters. Performance-wise, the lead brings it home. There’s a stillness, a control, but also real vulnerability underneath. That kind of anchoring is what gives a short like this staying power. The core story works, but I found myself wanting one extra layer: a twist, a new gear, something unexpected to elevate the simplicity. Big picture? You’ve got the tools, you’ve got the instincts, and this thing is polished. If the writing starts taking risks to match the confidence of the visuals, you’re gonna be operating on a whole other level. Strong work.
Polished, Emotional, and Impressively Executed
Yes! From the first frame, this film pulls you in with confidence and clarity. The pace is excellent — the editing is tight, punchy, and emotionally attuned. It’s shot like a commercial, and I mean that as a compliment: every shot feels purposeful, nothing wasted. Visually, the film is a standout. The use of color palettes is striking — there’s warmth and haze in the memories, contrasted with crisp blue tones in the nighttime scenes. It’s sentimental without tipping into manipulation, and the cinematography beautifully reflects the main character’s inner world. It’s anchored by a truly compelling lead performance that brings everything together. The editing is crisp and varied — jump cuts, dissolves, fades — all used thoughtfully to support the rhythm of the story. The sound design is strong, too: minimal dialogue, but a rich mix of natural sounds and foley that make each location feel alive. If I had one friendly note, it’s about the writing. The structure is a bit linear, and while the narrative works, it might have been even more dynamic with an added layer of complexity or surprise. It's a bit long for a such a simple premise. Still, the execution is so strong that it never feels like a weakness — just an area for growth in future work.
Think of the good times
The Audio is a big downside to this short. It is shot very well, and the color palette is pleasing to the eye. The writing for this is also well done. Good Job!
Think of the Good Times
This looked really good and had a story, but felt like a big PSA at the end. Watch room tone and audio adjustments.